&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">5846 sayılı Fikir ve Sanat Eserleri Kanunu ("&lt;/span>&lt;strong style="font-size: 14px;">FSEK&lt;/strong>&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">") uyarınca korunan eser türlerinden biri olan sinema eserleri “&lt;/span>&lt;em>her çeşit eşsiz, bilimsel, öğretici veya teknik mahiyette olan veya günlük olayları tespit eden filmler veya sinema filmleri gibi, tespit edildiği materyale bakılmaksızın, elektronik veya mekanik veya benzeri araçlarla gösterilebilen, sesli veya sessiz, birbiriyle ilişkili hareketli görüntüler dizisidir.&lt;/em>&lt;span style="font-size: 14px;">” şeklinde tanımlanmaktadır.&lt;/span>&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">FSEK uyarınca ortaya çıkarılan bir ürünün sinema eseri olarak kabul edilmesi ve koruma sağlanması için o eserin &lt;/span>&lt;strong style="font-size: 14px;">i)&lt;/strong>&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;"> &lt;em>hususiyet&lt;/em>&lt;span style="font-size: 14px;">, &lt;/span>&lt;/span>&lt;strong style="font-size: 14px;">ii)&lt;/strong>&lt;span style="font-size: 14px;"> &lt;em>belli bir düzeye kadar tamamlanmış olma&lt;/em>&lt;span style="font-size: 14px;"> ve &lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;strong style="font-size: 14px;">iii)&lt;/strong>&lt;span style="font-size: 14px;"> &lt;em>hareketli görüntüler dizisine sahip olma&lt;/em>&lt;span style="font-size: 14px;"> şartlarını taşımalıdır. Bu şartları sağlayan bir eser, FSEK uyarınca sinema eseri kapsamında tanınan korumadan ve haklardan yararlanabilecektir.&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">Eser sahibi, eseri meydana getiren kişidir ve bu kapsamda telif haklarının sahibidir. Sinema eserlerinde genellikle eser sahibi tek bir kişi olmayıp, yönetmen, senaryo yazarı, besteci, kostümcü, kameraman gibi birden çok kişinin katkısı bulunmaktadır. Farklı alanlarda ve birden çok kişinin yaratıcı katılımıyla ortaya gelen sinema eserlerinde tek bir kişinin eser sahibi ve/veya hak sahibi olarak belirlenmesi doğru bir yol olarak kabul edilmemektedir. Bu nedenle, sinema eserinin meydana getirilmesinde çalışan veya görev alan çeşitli kişilerin &lt;/span>&lt;em>birlikte bir eser sahipliği&lt;/em>&lt;span style="font-size: 14px;"> söz konusu olacaktır.&lt;/span>&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">Sinema eserinin meydana gelmesinde eser sahibi ve/veya birlikte eser sahiplerinin yanı sıra eserin sahibinden başka eserin kamuoyuna ulaşmasını sağlayan kişi ve kuruluşların hakları ve bu hakların FSEK uyarınca korunması da söz konusudur.  İcracı sanatçılar, radyo ve televizyon kuruluşları/yayın kuruluşları ve film yapımcıları “&lt;/span>&lt;em>bağlantılı hak sahipleri&lt;/em>&lt;span style="font-size: 14px;">” olarak kabul edilmektedir. Eser sahibinin hakları ile bağlantılı haklar “eser sahibinin haklarına komşu haklar” ve “film yapımcılarının haklarından” oluşmaktadır. Komşu haklar kapsamında icracı sanatçılara birtakım haklar tanınmıştır.&lt;/span>&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">Bir fikir ve sanat eserini özgün biçimde yorumlayan, tanıtan, anlatan, söyleyen, çalan ve çeşitli biçimlerde icra eden gerçek kişiler &lt;/span>&lt;strong>icracı sanatçı&lt;/strong>&lt;span style="font-size: 14px;"> olarak kabul edilmektedir. İcracı sanatçı eseri meydana getirmez ve aslında aracılık görevi görmektedir. Meydana getirilen eserin özgün bir icra ortaya koyarak o eserin kamuya yayılmasına hizmet etmektedir.&lt;/span>&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">Yargıtay kararlarında, icracı sanatçının bağlantılı hak sahibi sayılarak, belirli korumaya sahip olması için icranın özgün bir biçimde ifade edilmesi koşulu öngörülmektedir. Bu husus, “icranın “özgün bir biçimde” ifa edilmesidir. Bu bakımdan, bir sinema eserinde rol alan kişilerin icracı sanatçı sıfatını kazanıp kazanamayacakları hususu Yargıtay 11. HD. 18/02/2017 tarihli 2016/5259 E. ve 2017/7348 sayılı kararında “&lt;/span>&lt;em>bu eserde rol alan kişilerin asıl ya da yardımcı oyuncu olup olmadıklarından ziyade icranın “özgün bir biçimde” gerçekleştirilip gerçekleştirilmediği dikkate alınarak&lt;/em>&lt;span style="font-size: 14px;">” şeklinde açıklanmaktadır.&lt;/span>&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">İcracı sanatçı bir bakıma sarf ettiği fikri çalışma ile eserin yaratılmasına ve meydana getirilmesine değil, yayılmasına hizmet etmektedir. Bu kapsamda eserin yayılmasına aracılık eden ve özgün bir icra ortaya koyan icracı sanatçının, aynı eser sahibinin olduğu gibi FSEK uyarınca korunan hakları bulunmaktadır. İcracı sanatçıya tanınan bu haklar özetle aşağıda sayılmaktadır.&lt;/span>&lt;/span>&lt;/p>&lt;ul style="list-style-type: square;">&lt;li style="margin-left: 20px; text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">İcraları ile ilgili olarak icranın sahibi olarak tanıtılmalarını isteme ve kendi itibarlarını zedeleyecek şekilde icraların tahrifini önleme hakkı,&lt;/span>&lt;/span>&lt;/li>&lt;li style="margin-left: 20px; text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">İcranın tespiti, bu tespitin çoğaltılmasına, satılmasına, dağıtılmasına, kiralanmasına ve ödünç verilmesine, işaret, ses ve/veya görüntü nakline yarayan araçlarla umuma iletimine ve yeniden iletimine ve temsiline izin verme veya yasaklama hakkı,&lt;/span>&lt;/span>&lt;/li>&lt;li style="margin-left: 20px; text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">Yurt içinde henüz satışa çıkmamış veya başka yollarla dağıtılmamış tespit edilmiş icralarının, aslı veya çoğaltılmış nüshalarının satış yoluyla veya diğer yollarla dağıtılması hususunda izin verme veya yasaklama hakkı,&lt;/span>&lt;/span>&lt;/li>&lt;li style="margin-left: 20px; text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">Tespit edilmiş icrasının veya çoğaltılmış nüshalarının satışı veya diğer biçimlerde umuma dağıtımına veya sunulmasına ve gerçek kişilerin seçtikleri yer ve zamanda icrasına ulaşılmasını sağlamak suretiyle umuma iletimine izin verme veya yasaklama hakkı,&lt;/span>&lt;/span>&lt;/li>&lt;li style="margin-left: 20px; text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">Haklarını uygun bir bedel karşılığında sözleşme ile yapımcıya devredebilme hakkı.&lt;/span>&lt;/span>&lt;/li>&lt;/ul>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">Manevi hakların devri söz konusu olmayacağından icracı sanatçının manevi haklarının devri de söz konusu değildir. Yapımcıya yalnızca bu hakların kullanım yetkisini devredebilecektir. İcracı sanatçıya ait olan mali hakların ise, devri mümkündür ve icracı sanatçı bu hakları malvarlığından çıkarabilir, devredebilir.&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">FSEK madde 48 uyarınca taraflar eser üzerindeki mali haklara ilişkin yapılacak sözleşmeleri yer, süre ve içerik bakımından sınırlı veya sınırsız bir şekilde yapabilmektedirler. Bu madde bağlantılı hak sahibi kabul edilen icracı sanatçılar için de uygulama alanı bulmaktadır. Bu kapsamda, icracı sanatçı yapacağı sözleşmelerde mali hakların devrini, şeklini ve süresini dilediği gibi belirleyebilmektedir. Ancak uygulamada, çoğunlukla icracı sanatçıların mali hakların herhangi bir sınırlama olmadan yapımcıya devredildiğine rastlanmaktadır. Bu şekilde de sinema yapımcısı, söz konusu sinema eseri üzerindeki bütün işlemleri ve tasarrufları tek başına yapabilmektedir. Belirtmek gerekir ki icracı sanatçı tarafından verilen izin ve yapılan sözleşme FSEK madde 52 hükümlerine uygun şekilde yapılmalıdır. Mali haklara ilişkin yapılan sözleşme yazılı olmalı ve devredilen hakların ayrı ayrı gösterilmesi gerekmektedir.&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">İcracı sanatçıların bu hakları kazanabilmesi için söz konusu icrayı gerçekleştirmesi gerekmektedir. İcranın gerçekleştirilmesi için ise icracı sanatçının eser sahibinden onay alması gerekmektedir. Uygulamada sıklıkla karşılaşılan birden fazla kişinin eser sahibi olduğu durumlarda, her eser sahibinden ayrı izin alınması gerekmektedir. Eser sahibinin izin vermesi sonucunda, icracı sanatçı eser üzerinde aslen iktisap ettiği, mutlak haklara sahip olacaktır.&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">Eserin icrasında birden fazla icracı sanatçı olduğu durumlarda ise, icracı sanatçılar bu haklara birlikte sahip olurlar ve bu hakların kullanımına ilişkin aralarında herhangi bir kişiyi yetkili kılmadıkları sürece haklarını kural olarak birlikte kullanabilirler. Ancak, icracı sanatçıların haklarına tecavüz edildiği durumda, her bir icracı sanatçı tek başına hareket edebilecektir.&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">İcracı sanatçıların bağlantılı hakları, Komşu Haklar Yönetmeliği’nde de belirtildiği üzere, icranın ilk tespit edildiği tarihten başlayarak yetmiş (70) yıllık boyunca devam etmektedir. Eğer tespit yapılmamışsa yetmiş (70) yıllık bu süre icranın aleniyet kazandığı tarihten itibaren başlamaktadır.&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">FSEK uyarınca sayılan icracı sanatçının bağlantılı hakları yalnızca Türkiye Cumhuriyeti vatandaşı olan icracı sanatçılara uygulanmaktadır ve bu hükümler Türkiye Cumhuriyeti vatandaşlarının yurtdışındaki icralarında da uygulanmaktadır. Bununla birlikte, icracı sanatçı hangi ülke vatandaşı olursa olsun eğer icra Türkiye sınırları içinde gerçekleşiyorsa, yine FSEK hükümlerine tabii olacaktır.&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">Eser sahibinin haklarının korunması için tanınan tecavüzün ref’i, tecavüzün men’i ve tazminat davalarına ilişkin hükümler, icracı sanatçılara tanınan bağlantılı hakların korunmasında da kullanılmaktadır.&lt;/span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&lt;/span>&lt;/p>

5846 sayılı Fikir ve Sanat Eserleri Kanunu uyarınca korunan eser türlerinden biri olan sinema eserleri “her çeşit eşsiz, bilimsel, öğretici veya teknik mahiyette olan veya günlük olayları tespit eden filmler veya sinema filmleri gibi, tespit edildiği materyale bakılmaksızın, elektronik veya mekanik veya benzeri araçlarla gösterilebilen, sesli veya sessiz, birbiriyle ilişkili hareketli görüntüler dizisidir.” şeklinde tanımlanmaktadır.

Sinema Eserlerinde İcracı Sanatçıların Bağlantılı Hakları

Hatice Ekici Tağa is a partner at
Ozdagistanli Ekici where she leads the IP and Commercial Contracts department.Her experience spans a wide range of
areas including advertising, franchise contracts, movie/tv license contracts,
trademark disputes, multijurisdictional patent settlements, prize promotions.
She has been representing multinational clients in various trademark, IP and
patent disputes for over 12 years.Hatice also acts as trusted counsel to
world’s leading food and beverage brands in their franchise and
commercialization agreements.She also manages anti-piracy and
anti-counterfeiting programs for world’s leading software companies as well as
for luxury brands.Hatice is a registered trademark and
patent attorney as well as a licensed mediator. Practice Areas &amp; Work Department

Intellectual
 Property

Media
 and Entertainment

Consumer
 Protection

Electronic
 Commerce

&nbsp; 

Languages

Turkish

English

French

&nbsp; 

Memberships

Istanbul Bar Association

Licensed Patent Attorney – Turkish
 Trademark and Patent Institute

Licensed Trademark Attorney –
 Turkish Trademark and Patent Institute

International Association for the
 Protection of Intellectual Property (AIPPI)

Licensed mediator

International Trademark Association
 (INTA)

Ozdagistanli Ekici is a new generation law firm that combines the values of the traditional law firm, with the values and qualities that are required to stay on top in today’s challenging business environment.
We believe in change, innovation and disruption while we remain committed to the traditional values of our profession such as accountability and trust.
We want our clients to stay on top of the changing environment and dynamics of the legal landscape and be the creator of such change instead of reacting to those changes. And if a reaction to a change is required, we strive to make sure that such reaction is based on legal advice that is efficient, objective and applicable to business.At Ozdagistanli Ekici, we have a sector specific approach to make sure that we understand the sector specific dynamics and legal landscape that our clients are facing. Thanks to this approach, we are able to provide comprehensive and commercial legal advice to help our clients lead the change or face the issues they are facing with confidence. While doing so, we also prepare our clients for future challenges and issues that they may face in their sector.We have a large portfolio of multinational and local clients across different sectors and industries including Automotive, Consumer Goods, Food and Retail, Education, Energy and Natural Resources, Financial Services and Fintech, Information Communication Technologies, Insurance, Life Sciences and Health Care, Media, Sport, Gaming and Entertainment and Technology.We are committed to provide the commercially sound legal advice and solutions on a timely and professional manner to continue to support our clients to be leaders in their sectors.&nbsp;&nbsp;&nbsp;

Özdağıstanli Ekici Attorney Partnership

Co-Managing Partner

Öykü is an associate at
Ozdagistanli Ekici. She has experience in privacy, electronic commerce as well
as in trademark disputes.Öykü works with
multinational gaming clients for their privacy needs, including DPA
investigations and data subject access requests. She also provides advice to
world’s leading technology companies in electronic commerce. Practice Areas &amp; Work Department

Technology,
 Media and Telecom

Data
 Protection

Intellectual
 Property

Electronic
 Commerce

Fintech

&nbsp; 

Languages

Turkish

English

&nbsp; 

Memberships

Istanbul
 Bar Association

Associate

&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">Cinematographic works, which are one of the types of works protected in accordance with the Law on Intellectual and Artistic Works numbered 5846 (“&lt;/span>&lt;strong>IPL&lt;/strong>&lt;span style="font-size: 14px;">”), are defined as “works such as films of an artistic, scientific, educational or technical nature or films recording daily events or movies, that consist of a series of related moving images with or without sound and which, regardless of the material in which they are fixed, can be shown by the use of electronic or mechanical or similar devices”.&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">In order for a product produced in accordance with the IPL to be accepted and to be protected as a cinematographic work, that work must meet the conditions of &lt;/span>&lt;strong style="font-size: 14px;">i)&lt;/strong>&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;"> &lt;em>bearing the character of its author&lt;/em>&lt;span style="font-size: 14px;">, &lt;/span>&lt;/span>&lt;strong style="font-size: 14px;">ii)&lt;/strong>&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;"> &lt;em>being completed to a certain level&lt;/em>&lt;span style="font-size: 14px;">, and &lt;/span>&lt;/span>&lt;strong style="font-size: 14px;">iii)&lt;/strong>&lt;span style="font-size: 14px;"> &lt;em>having a series of moving images&lt;/em>&lt;span style="font-size: 14px;">. A work that has these conditions will be able to benefit from the protection and rights granted within the scope of the cinematographic work in the IPL.&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">The author is the person who created the work and also, is the owner of the copyright. In cinematographic works, since there are different contributions from multiple people such as a director, screenwriter, composer, costumer, and cameraman, it is usually not a single person who owns the work. In cinematographic works that have emerged in different fields and with the creative participation of multiple people, identifying a single person as the author and/or the right owner is not accepted as the correct way. For this reason, there will be &lt;/span>&lt;em>joint ownership of a work&lt;/em>&lt;span style="font-size: 14px;"> by various people who work or take part in the creation of a cinematographic work.&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">In the occurrence of a cinematographic work, persons and organizations that provide public access to the work have the rights as well as the author and/or joint authors and these rights are protected under the Intellectual Property Law. Performing artists, radio and television organizations/broadcasting organizations, and filmmakers are recognized as "&lt;/span>&lt;em>associated rights holders&lt;/em>&lt;span style="font-size: 14px;">”. The rights related to the rights of the author consist of “rights adjacent to the rights of the author” and “rights of producers”. Within the scope of neighboring rights, several rights have been granted to the performers.&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">Real persons who interpret, introduce, explain, sing, play, and perform a work of thought and art in an original way are considered &lt;/span>&lt;strong>performers&lt;/strong>&lt;span style="font-size: 14px;">. The performer does not create the work and has the role of an intermediary. The performer serves to disseminate the created work to the public by presenting an original performance.&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">   In the Supreme Court decisions, the condition of expressing the performance in a unique way is stipulated in order for the performer to be deemed the author and have certain protection. Meanly, the condition is the execution of the “&lt;/span>&lt;em style="font-size: 14px;">performing in a unique way&lt;/em>&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">”. In this regard, the issue of whether people who act in a cinematographic work can earn the title of the performer is explained as “&lt;/span>&lt;em>taking into account whether the performance is performed in an 'original form' rather than whether the people involved in this work are the main or supporting performers&lt;/em>&lt;span style="font-size: 14px;">” within the scope of the Supreme Court decision numbered 2017/7348 and dated 18/02/2017.&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">In a way, the performer serves not to create the work, but serves to spread the work with the intellectual work the performer expands. Therefore, the performer, who mediates the dissemination of the work and puts forward a unique performance, has the rights as the author, which are protected in accordance with IPL. These rights granted to the performer are briefly listed below.&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/p>&lt;ul style="list-style-type: square;">&lt;li style="margin-left: 20px; text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">The right to request to be identified as the owner of the performance in relation to their performance and to prevent the falsification of the performances in a way that damages their own reputation,&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/li>&lt;li style="margin-left: 20px; text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">The right to authorize or prohibit the reproduction, sale, distribution, rental and lending, transmission and retransmission and representation of the performance by means of sign, sound and/or image transmission,&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/li>&lt;li style="margin-left: 20px; text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">The right to authorize or prohibit the distribution of the original or reproduced copies of the determined performances, which have not yet been put up for sale or distributed in other ways, by sale or by other means,&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/li>&lt;li style="margin-left: 20px; text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">The right to authorize or prohibit the sale or otherwise public distribution or presentation of its fixed performance or reproduced copies, and their transmission to the public, by ensuring that their performance is reached by natural persons at the place and time they choose,&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/li>&lt;li style="margin-left: 20px; text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">The right to transfer its rights to the producer with a contract in return for a reasonable price.&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/li>&lt;/ul>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">Since there will be no transfer of moral rights, the performer’s moral rights will not be the subject of a transfer. The performer will only be able to transfer the authority to use these rights to the producer. The financial rights belonging to the cinematographic works are transferable and the performer can remove these rights from their assets and transfer them.&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">According to Article 48 of the IPL, the parties can make agreements regarding the financial rights of the work in a limited or unlimited manner in terms of place, time, and content. This article also finds an area of ​​application for the performer who is considered to be the owners of related rights. Therefore, the performer can determine the transfer, form, and duration of financial rights in the contracts as he/she wishes. Having said that, in practice, it is often seen that the financial rights of performing are transferred to the producer without any limitation. With this, the movie producer can perform all the operations and save on the movie alone. It should be noted that the permission given by the performer and the contract must be made in accordance with the provisions of Article 52 of the IPL. The contract for financial rights must be in writing and the rights to be transferred must be shown separately in the contract.&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">To gain these related rights, the performer is required to perform the work. In order the performance the work, the performer is required to obtain approval from the author of the work. In cases where more than one person is the author, which is frequently encountered in practice, the performer is required to obtain separate permission from each author. As a result of the permission of the author, the performer will have the non-derogable right to the work that the author originally acquired.&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">In event that there is more than one performer in the performance of the work, the performers acquire these rights together and as a rule, they can use their rights together as long as they do not authorize any person among them to use these rights. However, in the event of violation of the performer’s rights, each performer has right to act alone regarding the violation.&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">&lt;span style="font-size: 14px;">The related rights of performer artists for seventy (70) years, starting from the date of the first determination of the performance, as stated in the Regulation on Neighboring Rights. If no determination has been made, this period of seventy (70) years starts from the date that the work becomes public.    The related rights of the performer regulated in the IPL apply to only the citizens of the Republic of Turkey and these provisions are also applied to the performances abroad of the citizens of the Republic of Turkey. In addition to this, regardless of the nationality of the performer, if the performance takes place within the borders of Turkey, it will still be subject to the provisions of IPL.  The provisions regarding the cessation of infringement, prevention of infringement, and action for damages for the protection of the rights of the author also apply to the protection of the related rights granted to the performer.&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/span>&lt;/p>

Cinematographic works, which are one of the types of works protected in accordance with the Law on Intellectual and Artistic Works numbered 5846, are defined as “works such as films of an artistic, scientific, educational or technical nature or films recording daily events or movies, that consist of a series of related moving images with or without sound and which, regardless of the material in which they are fixed, can be shown by the use of electronic or mechanical or similar devices”.

The Performer’s Related Rights in Cinematographic Works

&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">With a law published on the Official Gazette dated 07 July 2022 and numbered 31889, significant changes were made in the Law on the Regulation of Electronic Commerce with no. 6563 (“&lt;/span>&lt;strong>Law&lt;/strong>&lt;span style="font-size: 14px;">”).&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">   With the relevant amendment, the definitions of "electronic commerce service provider" and "electronic commerce intermediary service provider" and the obligations of these service providers were added to the Law. In addition, certain additional obligations were regulated for service providers exceeding the thresholds determined by the Law. The same Law also stated that the determined thresholds can be increased by half by the President in February 2023.&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">   Accordingly, with a Presidential Decision published on the Official Gazette dated 23 February 2023 and numbered 32112, it was decided that the thresholds determined by the Law to be increased by half. The monetary thresholds that will result in electronic commerce service providers and electronic commerce intermediary service providers being subject to additional obligations as a result of this change are as follows:&lt;/span>&lt;/span>&lt;/p>&lt;table class="MsoTableGrid" border="1" cellspacing="0" cellpadding="0" style="width: 73.5644%;">
    &lt;tbody>
        &lt;tr>
            &lt;td width="160" style="width: 160px; padding: 0px 7px;">
                &lt;p align="center" style="font-size: 16px; font-family: &quot;Times New Roman&quot;, serif; margin: 8px 0px; text-align: center; line-height: 125%;">&lt;strong>&lt;span lang="TR" style="font-size: 14px; line-height: 125%; font-family: Arial, sans-serif; color: black;">Category&lt;/span>&lt;/strong>&lt;/p>
            &lt;/td>
            &lt;td width="463" style="width: 461px; padding: 0px 7px;">
                &lt;p class="MsoNormal" align="center" style="margin: 0px; font-size: 16px; font-family: &quot;Times New Roman&quot;, serif; text-align: center;">&lt;strong>&lt;span lang="EN-US" style="font-size: 14px; font-family: Arial, sans-serif; color: black;">Net
                            Transaction Volume in a Calendar Year&lt;/span>&lt;/strong>&lt;/p>
            &lt;/td>
        &lt;/tr>
        &lt;tr>
            &lt;td width="160" style="width: 160px; padding: 0px 7px;">
                &lt;p align="center" style="font-size: 16px; font-family: &quot;Times New Roman&quot;, serif; margin: 8px 0px; text-align: center; line-height: 125%;">&lt;span lang="TR" style="font-size: 14px; line-height: 125%; font-family: Arial, sans-serif; color: black;">Medium Scale&lt;/span>&lt;/p>
            &lt;/td>
            &lt;td width="463" style="width: 461px; padding: 0px 7px;">
                &lt;p style="font-size: 16px; font-family: &quot;Times New Roman&quot;, serif; margin: 8px 0px; line-height: 125%;">&lt;span lang="TR" style="font-size: 14px; line-height: 125%; font-family: Arial, sans-serif; color: black;">over 15 billion Turkish Lira&lt;/span>&lt;/p>
            &lt;/td>
        &lt;/tr>
        &lt;tr>
            &lt;td width="160" style="width: 160px; padding: 0px 7px;">
                &lt;p align="center" style="font-size: 16px; font-family: &quot;Times New Roman&quot;, serif; margin: 8px 0px; text-align: center; line-height: 125%;">&lt;span lang="TR" style="font-size: 14px; line-height: 125%; font-family: Arial, sans-serif; color: black;">Large Scale&lt;/span>&lt;/p>
            &lt;/td>
            &lt;td width="463" style="width: 461px; padding: 0px 7px;">
                &lt;p style="font-size: 16px; font-family: &quot;Times New Roman&quot;, serif; margin: 8px 0px; line-height: 125%;">&lt;span lang="TR" style="font-size: 14px; line-height: 125%; font-family: Arial, sans-serif; color: black;">over 45 billion Turkish Lira (&lt;em style="box-sizing: border-box;">&lt;span style="font-family: Arial, sans-serif;">and
                                over 100 thousand transactions, excluding cancellations and refunds&lt;/span>&lt;/em>)&lt;/span>&lt;/p>
            &lt;/td>
        &lt;/tr>
        &lt;tr>
            &lt;td width="160" style="width: 160px; padding: 0px 7px;">
                &lt;p align="center" style="font-size: 16px; font-family: &quot;Times New Roman&quot;, serif; margin: 8px 0px; text-align: center; line-height: 125%;">&lt;span lang="TR" style="font-size: 14px; line-height: 125%; font-family: Arial, sans-serif; color: black;">Very Large Scale&lt;/span>&lt;/p>
            &lt;/td>
            &lt;td width="463" style="width: 461px; padding: 0px 7px;">
                &lt;p style="font-size: 16px; font-family: &quot;Times New Roman&quot;, serif; margin: 8px 0px; line-height: 125%;">&lt;span lang="TR" style="font-size: 14px; line-height: 125%; font-family: Arial, sans-serif; color: black;">over 90 billion Turkish Lira (and
                        over 100 thousand transactions, excluding cancellations and refunds)&lt;/span>&lt;/p>
            &lt;/td>
        &lt;/tr>
    &lt;/tbody>
&lt;/table>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">Foreign transactions are not taken into account in the calculation of net transaction volume and number of transactions.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">   Apart from the other obligations regulated under the Law, the monetary threshold for the obligation of these service providers to obtain "electronic commerce license", which will come into force on 01 January 2025, is changed to over &lt;/span>&lt;u>15 billion Turkish lira&lt;/u>&lt;span style="font-size: 14px;"> of net transaction volume in a calendar year (and over 100 thousand transactions, excluding cancellations and refunds).&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">   For electronic commerce intermediary service providers, when determining whether these thresholds for the electronic commerce license are exceeded, the net transaction volumes and transaction numbers of electronic commerce intermediary service providers that are in economic integrity are taken into account.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">   Additionally, the Ministry of Commerce will have the authority to increase the relevant monetary thresholds according to the annual rate of change of the electronic commerce volume as of 01 January 2024.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">   For detailed information click &lt;/span>&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;a href="https://turkishlawblog.com/insights/detail/regulation-on-e-commerce-intermediary-service-providers-and-e-commerce-service-providers" target="_blank" style="color: rgb(3, 102, 132);">here&lt;/a>&lt;/span>&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;"> to read our article on the Regulation on Electronic Commerce Intermediary Service Providers and Electronic Commerce Service Providers.&lt;/span>&lt;/p>

With a law published on the Official Gazette dated 07 July 2022 and numbered 31889, significant changes were made in the Law on the Regulation of Electronic Commerce with no. 6563 (“Law”).    With the relevant amendment, the definitions of "electronic commerce service provider" and "electronic commerce intermediary service provider" and the obligations of these service providers were added to the Law. In addition, certain additional obligations were regulated for service providers exceeding the thresholds determined by the Law. The same Law also stated that the determined thresholds can be increased by half by the President in February 2023.

Monetary Thresholds are Increased for the Service Providers in Electronic Commerce

&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">07 Temmuz 2022 tarihli 31889 sayılı Resmi Gazete’de yayımlanan bir kanun ile 6563 sayılı Elektronik Ticaretin Düzenlenmesi Hakkında Kanun’da (“Kanun”) önemli değişiklikler yapılmıştı.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">   İlgili değişiklikle, Kanun’a “elektronik ticaret hizmet sağlayıcı” ve “elektronik ticaret aracı hizmet sağlayıcı” tanımları ve bu hizmet sağlayıcıların yükümlülükleri eklenmişti. Ayrıca, bu hizmet sağlayıcılar için Kanun’da farklı eşikler belirlenerek, belirlenen eşikleri aşan hizmet sağlayıcılar için birtakım ek yükümlülükler düzenlenmişti. Yine aynı Kanun’da, belirlenen eşiklerin Cumhurbaşkanı tarafından 2023 Şubat ayı içerisinde yarısına kadar arttırılabileceğine yer verilmişti.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">23 Şubat 2023 tarihli 32112 sayılı Resmi Gazete’de yayımlanan Cumhurbaşkanı Kararı ile ilgili eşiklerin yarısı oranında arttırılmasına karar verilmiştir. Değişiklik sonucunda, elektronik ticaret hizmet sağlayıcıların ve elektronik ticaret aracı hizmet sağlayıcıların ek yükümlülüklere tabi olması ile sonuçlanacak parasal eşikler aşağıdaki gibidir:&lt;/span>&lt;/p>&lt;table class="MsoTableGrid" border="1" cellspacing="0" cellpadding="0">
    &lt;tbody>
        &lt;tr>
            &lt;td width="160" style="width: 160px; padding: 0px 7px;">
                &lt;p align="center" style="font-size: 16px; font-family: &quot;Times New Roman&quot;, serif; margin: 8px 0px; text-align: center; line-height: 125%;">&lt;strong>&lt;span lang="TR" style="font-size: 14px; line-height: 125%; font-family: Arial, sans-serif; color: black;">Kategori&lt;/span>&lt;/strong>&lt;/p>
            &lt;/td>
            &lt;td width="463" style="width: 461px; padding: 0px 7px;">
                &lt;p class="MsoNormal" align="center" style="margin: 0px; font-size: 16px; font-family: &quot;Times New Roman&quot;, serif; text-align: center;">&lt;strong>&lt;span style="font-size: 14px; font-family: Arial, sans-serif; color: black;">Bir
                            Takvim Yılındaki Net İşlem Hacmi&lt;/span>&lt;/strong>&lt;/p>
            &lt;/td>
        &lt;/tr>
        &lt;tr>
            &lt;td width="160" style="width: 160px; padding: 0px 7px;">
                &lt;p align="center" style="font-size: 16px; font-family: &quot;Times New Roman&quot;, serif; margin: 8px 0px; text-align: center; line-height: 125%;">&lt;span lang="TR" style="font-size: 14px; line-height: 125%; font-family: Arial, sans-serif; color: black;">Orta Ölçekli&lt;/span>&lt;/p>
            &lt;/td>
            &lt;td width="463" style="width: 461px; padding: 0px 7px;">
                &lt;p style="font-size: 16px; font-family: &quot;Times New Roman&quot;, serif; margin: 8px 0px; line-height: 125%;">&lt;span lang="TR" style="font-size: 14px; line-height: 125%; font-family: Arial, sans-serif; color: black;">15 Milyar TL üzeri&lt;/span>&lt;/p>
            &lt;/td>
        &lt;/tr>
        &lt;tr>
            &lt;td width="160" style="width: 160px; padding: 0px 7px;">
                &lt;p align="center" style="font-size: 16px; font-family: &quot;Times New Roman&quot;, serif; margin: 8px 0px; text-align: center; line-height: 125%;">&lt;span lang="TR" style="font-size: 14px; line-height: 125%; font-family: Arial, sans-serif; color: black;">Büyük Ölçekli&lt;/span>&lt;/p>
            &lt;/td>
            &lt;td width="463" style="width: 461px; padding: 0px 7px;">
                &lt;p style="font-size: 16px; font-family: &quot;Times New Roman&quot;, serif; margin: 8px 0px; line-height: 125%;">&lt;span lang="TR" style="font-size: 14px; line-height: 125%; font-family: Arial, sans-serif; color: black;">45 Milyar TL üzeri (&lt;em style="box-sizing: border-box;">&lt;span style="font-family: Arial, sans-serif;">ve
                                iptal ve iadeler hariç işlem sayısı 100 bin adet üzeri&lt;/span>&lt;/em>)&lt;/span>&lt;/p>
            &lt;/td>
        &lt;/tr>
        &lt;tr>
            &lt;td width="160" style="width: 160px; padding: 0px 7px;">
                &lt;p align="center" style="font-size: 16px; font-family: &quot;Times New Roman&quot;, serif; margin: 8px 0px; text-align: center; line-height: 125%;">&lt;span lang="TR" style="font-size: 14px; line-height: 125%; font-family: Arial, sans-serif; color: black;">Çok Büyük Ölçekli&lt;/span>&lt;/p>
            &lt;/td>
            &lt;td width="463" style="width: 461px; padding: 0px 7px;">
                &lt;p style="font-size: 16px; font-family: &quot;Times New Roman&quot;, serif; margin: 8px 0px; line-height: 125%;">&lt;span lang="TR" style="font-size: 14px; line-height: 125%; font-family: Arial, sans-serif; color: black;">90 Milyar TL üzeri (ve iptal ve
                        iadeler hariç işlem sayısı 100 bin adet üzeri)&lt;/span>&lt;/p>
            &lt;/td>
        &lt;/tr>
    &lt;/tbody>&lt;/table>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">Net işlem hacmi ve işlem sayısının hesaplanmasında, yurt dışına yönelik işlemler dikkate alınmamaktadır.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">   Kanun’da düzenlenen diğer yükümlülüklerin yanısıra, ilgili hizmet sağlayıcıların 01 Ocak 2025 tarihinde yürürlüğe girecek olan “elektronik ticaret lisansı” alma yükümlülüğüne tabi olmaları bakımından belirlenen parasal eşik ise, bir takvim yılındaki net işlem hacimlerinin &lt;/span>&lt;u>15 milyar Türk lirası&lt;/u>&lt;span style="font-size: 14px;"> (ve iptal ve iadeler hariç işlem sayısı 100 bin adet) üzeri olarak değiştirilmiştir.&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">    Elektronik ticaret aracı hizmet sağlayıcılar için, elektronik ticaret lisansı için belirlenen bu eşiklerin aşılıp aşılmadığının tespitinde, ekonomik bütünlük içinde bulunan elektronik ticaret aracı hizmet sağlayıcıların net işlem hacimleri ve işlem sayıları dikkate alınmaktadır.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">   Ek olarak, Ticaret Bakanlığı 01 Ocak 2024 itibari ile elektronik ticaret hacminin yıllık değişim oranına göre ilgili parasal eşikleri arttırma yetkisine sahip olacaktır.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">   Elektronik Ticaret Hizmet Sağlayıcı ve Elektronik Ticaret Aracı Hizmet Sağlayıcılar Hakkında Yönetmelik hakkında detaylı bilgi için &lt;/span>&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;a href="https://turkishlawblog.com/insights/detail/regulation-on-e-commerce-intermediary-service-providers-and-e-commerce-service-providers" target="_blank" style="color: rgb(3, 102, 132);">buraya tıklayarak&lt;/a>&lt;/span>&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;"> makalemize ulaşabilirsiniz.&lt;/span>&lt;/p>

07 Temmuz 2022 tarihli 31889 sayılı Resmi Gazete’de yayımlanan bir kanun ile 6563 sayılı Elektronik Ticaretin Düzenlenmesi Hakkında Kanun’da (“Kanun”) önemli değişiklikler yapılmıştı.    İlgili değişiklikle, Kanun’a “elektronik ticaret hizmet sağlayıcı” ve “elektronik ticaret aracı hizmet sağlayıcı” tanımları ve bu hizmet sağlayıcıların yükümlülükleri eklenmişti. Ayrıca, bu hizmet sağlayıcılar için Kanun’da farklı eşikler belirlenerek, belirlenen eşikleri aşan hizmet sağlayıcılar için birtakım ek yükümlülükler düzenlenmişti. Yine aynı Kanun’da, belirlenen eşiklerin Cumhurbaşkanı tarafından 2023 Şubat ayı içerisinde yarısına kadar arttırılabileceğine yer verilmişti.

Elektronik Ticaret Hizmet Sağlayıcılar için Belirlenen Parasal Eşikler Arttırıldı

Telif hakları 5846 sayılı Fikir ve Sanat Eserleri Kanunu (“FSEK”) ile koruma altına alınmaktadır ancak FSEK’te açık bir tanımı bulunmamaktadır. Telif Hakları Genel Müdürlüğü tarafından yapılan telif hakkı tanımı “Kişinin her türlü fikri emeği ile meydana getirdiği ürünler üzerinde hukuken sağlanan haklardır.” şeklindedir.  Yukarıda yer alan tanımdan da anlaşılacağı üzere, telif hakkı özgün bir şekilde ortaya çıkan ve sahibinin özelliklerini yansıtan eserler için düzenlenen bir hukuki haktır. Bu kapsamda, telif hakkının konusu eser olarak kabul edilmektedir. Dolayısıyla, telif hakkının söz konusu olabilmesi için öncelikle bir eser olması gerekmektedir.

Eserler Üzerindeki Manevi Hakların Devri

&lt;ul style="list-style-type: square;">&lt;li style="margin-left: 20px; text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">Cumulative protection is no longer available in light of a recent Court of Cassation decision&lt;/span>&lt;/li>&lt;li style="margin-left: 20px; text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">Trademarks are protected under the IP Code, but “name[s], title[s] or trademark[s]” are not covered by the unfair competition provisions under the new Commercial Code&lt;/span>&lt;/li>&lt;li style="margin-left: 20px; text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">The decision will have a serious impact on pending cases&lt;/span>&lt;/li>&lt;/ul>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">In a recent decision that challenges longstanding precedents, the Court of Cassation has ruled that, in cases where trademark infringement has been found, it is no longer possible to accept that the same infringing act also creates unfair competition.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;strong>Background&lt;/strong>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">In a civil court action involving pharmaceutical companies, the plaintiff argued that the defendant used a mark that was confusingly similar to its registered trademarks for the same or similar goods in Class 5. The plaintiff requested:&lt;/span>&lt;/p>&lt;ul style="list-style-type: square;">&lt;li style="margin-left: 20px; text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">a determination of trademark infringement and unfair competition;&lt;/span>&lt;/li>&lt;li style="margin-left: 20px; text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">the prevention and cessation of the defendant’s infringing use; and&lt;/span>&lt;/li>&lt;li style="margin-left: 20px; text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">a preliminary injunction order to prevent the defendant from using the infringing mark until the finalisation of the case.&lt;/span>&lt;/li>&lt;/ul>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">The first-instance court accepted the plaintiff’s requests and issued a preliminary injunction order at the beginning of the case to prevent the defendant’s infringing use. The court then decided to uphold the trademark infringement claims, but dismissed the unfair competition claims on the grounds that the plaintiff should not benefit from the protection afforded by the unfair competition provisions in addition to that afforded by the trademark infringement provisions.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">Both parties appealed the decision before the Regional Court of Appeals. The Regional Court of Appeals decided to accept the plaintiff’s appeal on the ground that the defendant’s acts created unfair competition, because the defendant continued to use the infringing mark despite the refusal of its application for registration of that mark by the Turkish Patent and Trademark Office. The refusal was based on the ground that the defendant’s trademark application was similar to the plaintiff’s registered trademarks to the extent that it created a likelihood of confusion, and was incompatible with the good-faith principle under the Turkish Commercial Code. The defendant appealed to the Court of Cassation.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;strong>Court of Cassation Decision&lt;/strong>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">In a decision dated 14 March 2022 (No 2019/5189 E 2022/1852 K), the Court of Cassation overruled the decision of the Regional Court of Appeals on the ground that, as trademarks are protected under the Intellectual Property Code (No 6769) (and the former Decree Law No 556 on the Protection of Trademarks), the trademark infringement acts were protected cumulatively under the relevant articles of the Commercial Code No 6762; the relevant article of the Commercial Code No 6102 (‘&lt;/span>&lt;strong>new Commercial Code&lt;/strong>&lt;span style="font-size: 14px;">’) states that acts that lead to confusion with the goods, work products, activities or businesses of others creates unfair competition, but does not include the protection of a “name, title or trademark” on purpose, as trademarks are already protected by the trademark infringement provisions of the IP Code. Therefore, it is not necessary to also protect trademarks under the unfair competition provisions under the new Commercial Code.&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">Following the decision of the Court of Cassation, the case file was returned to the Regional Court of Appeals. The latter decided to comply with the decision of the Court of Cassation, upheld the case only in terms of the trademark infringement claims and dismissed the unfair competition claims. The parties did not appeal the decision and the case was recently finalised.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;strong>Comment&lt;/strong>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">The fact that the Court of Cassation changed its longstanding precedents has come as a surprise to practitioners: the court stated that it is no longer possible to maintain its previous precedents on the cumulative protection afforded by the trademark infringement and unfair competition provisions, as trademarks are protected under the IP Code (and the former Decree Law) and “name[s], title[s] or trademark[s]” are not covered by the scope of the unfair competition provisions under the new Commercial Code. It is noteworthy that the new code entered into force in 2012; however, until recently the Court of Cassation had upheld all decisions where such cumulative protection had been accepted in similar cases. In addition, there has been no recent change in the legislation that would explain the Court of Cassation’s decision.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">The finalised decision will have a serious impact on pending cases. Some courts have already started to dismiss unfair competition claims in similar infringement actions on the ground that cumulative protection is no longer available in light of the Court of Cassation’s decision. Arguably, this decision cannot be considered as a precedent in all cases where trademark infringement and unfair competition claims are brought together, and there needs to be a distinction between these cases - even though the Court of Cassation did not make one in its reasoning.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">For instance, if there is infringing use of a registered trademark on a product, but the product packaging is not similar to the rights owner’s products, then the infringing use should be prevented under the IP Code. It is thus sufficient to bring only trademark infringement claims; otherwise, the courts will likely dismiss the unfair competition claims in light of the Court of Cassation’s recent decision.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">However, in cases where the defendant is using a similar trade dress, or discrediting or making false statements/publications about the plaintiff or its products, activities or business, the protection afforded by the unfair competition provisions should still be available, in addition to that afforded by the trademark infringement provisions, because such acts would fall within the scope of the unfair competition provisions under the Commercial Code.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">In light of the above, before initiating a civil court action based on trademark infringement and unfair competition, the possible existence of additional factor(s) that may be considered as acts of unfair competition which do not fall within the scope of the IP Code should be assessed carefully.&lt;/span>&lt;/p>&lt;hr>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;em>First published by WTR in 17.03.2023.&lt;/em>&lt;/span>&lt;/p>

In a recent decision that challenges longstanding precedents, the Court of Cassation has ruled that, in cases where trademark infringement has been found, it is no longer possible to accept that the same infringing act also creates unfair competition.

Court of Cassation Overturns Longstanding Precedents on Cumulative Protection Afforded by Trademark Infringement and Unfair Competition Provisions

&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">The grounds for the invalidation of a patent within the scope of Industrial Property Law No. 6769 are listed per the numerus clausus principle. The concept of plausibility – which has been the subject of numerous evaluations, especially by the European Patent Office (“EPO”) and frequently debated in academic circles in recent years – has not yet found a place within the scope of any legal regulation in Turkey. Moreover, there is no consensus on the Turkish wording that meets this concept as a legal term.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">However, the concept of plausibility has started to be argued by the plaintiffs in Turkish invalidity proceedings and has been the subject of important conclusions by the EPO Enlarged Board of Appeal within the scope of application No. G 2/21, so the place of the concept of plausibility in Turkish legal practice must be scrutinized.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;span style="font-size: 14px;">Plausibility can be defined as the ability to demonstrate the technical effect claimed by the invention credibly and convincingly with appropriate evidence to be submitted or to deduce this situation from the state of the art or common general knowledge to avoid speculative patents that can be produced at the desk (&lt;/span>&lt;em>Türk Patent Hukuku, Uğur Çolak, Adalet Yayınevi, Ankara, 2022;&nbsp;A Practitioner’s Guide to European Patent Law, Paul England, Hart Publishing, London, 2019&lt;/em>&lt;span style="font-size: 14px;">).&lt;/span>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">The requirement of plausibility, which is not defined as one of the invalidation grounds in the law, is particularly an issue concerning pharmaceutical patents. However, not all the test data of clinical studies may be obtained by the patent application date due to the long duration of efficacy tests and their complicated processes.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">Therefore, considering the necessity of making a patent application as soon as possible to avoid any loss of rights, there are issues around how much data indicating that the invention is applicable and working should be included in the patent application and to what extent post-published evidence can be used.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">In other words, the concept of plausibility can be regarded primarily as a prohibition of speculative patent applications which do not disclose a technical effect of a chemical substance and/or disclose a technical effect which is not normally expected.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">Although the lack of this requirement is not one of the invalidation grounds stipulated in Turkish legislation, in the Agreement on Trade-Related Aspects of Intellectual Property Rights or the European Patent Convention, to which Turkey is a party, it can be alleged in invalidation actions by asserting in the context of “sufficiency of disclosure” or “lack of inventive step”.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">Indeed, where the concept of plausibility has been used as an invalidation ground before the intellectual and industrial rights law courts, the allegations on this issue were included under both headings.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;strong>EPO Case Law on Plausibility&lt;/strong>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">The issue of plausibility is also associated with inventive step and sufficiency of disclosure in the case law created before the EPO. Although given that the word “credible” was used instead of “plausible” in Case T 939/92 (AgrEvo), there are opinions claiming that this decision, which concluded that a technical effect should be reasonably predictable and credible, was the first to use the threshold of plausibility.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">However, according to the contrary views, Case T 1329/04 (John Hopkins) was the first to establish the plausibility threshold in explaining that it was at least made plausible that the claimed invention could be carried out.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">In contrast to these cases, Case T 609/02 (Salk) concerned the plausibility threshold about the sufficiency of disclosure, and it was concluded that there was a requirement to make the existence of a cause-and-effect relationship plausible.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">Finally, in a more recent case, T 488/16 (Dasatinib/BRISTOL-MYERS SQUIBB), the EPO Enlarged Board of Appeal clarified that even though there is not always a requirement to have experimental data in an application, the technical problem must at least shown to be plausibly solved at the filing date.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">The plausibility issue also raises a discussion regarding filing post-published documents. It is seen that there are many decisions of EPO Technical Boards of Appeal (see, in particular, T 578/06) addressing the plausibility issue together with evidence published after the date of filing. The majority of the decisions stress that post-published evidence can be considered on the condition that a certain effect was plausible at the filing date of the patent application. In that situation, post-published documents can be accepted.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;strong>Case Law of Turkish Courts Regarding Plausibility Principle&lt;/strong>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">Given that the concept of plausibility is only just gaining currency in Turkish law and that it has not been put forward as a sound argument by plaintiff parties, it has not yet been included in any high court case law and has not been evaluated in any decision by a court of first instance.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">Indeed, the plaintiff claimed in a recent patent invalidation action that the subject patent was not plausible in the context of insufficient disclosure. However, the plausibility requirement was erroneously defined because of the presence of all the evidence in the patent document that directly and undoubtedly proved that the technical problem had been resolved. However, according to the EPO’s practices, for example, the submission of in vitro test results may be sufficient to make the solution to the technical problem foreseen in the patent plausible. In this respect, since the plaintiff could not prove its claim in accordance with the general principles of the law of proof, the court of first instance concluded that the invention was entirely and sufficiently disclosed to allow the implementation of the invention by the technical expert. No evaluation was made regarding the plaintiff’s plausibility argument; therefore, no steps were taken to form case law on plausibility.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">&lt;strong>Unifying EPO Case Law Will Be Instructive to Turkish Courts&lt;/strong>&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">At the point reached in the practice of intellectual property law today, it is not possible to talk about advanced plausibility arguments having been put forward or argue that case law can be used as a criterion in the plausibility evaluations to be made by the courts has been established.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">However, the decision to be issued regarding the G 2/21 application by the EPO Enlarged Board of Appeal following the oral hearing held on November 24 2022, is expected to bring about essential standards regarding the requirement of plausibility and addresses important questions about whether post-published documents should be taken into account in the examination of plausibility, and will have significant repercussions in the patent world. It would not be wrong to say that the effects of this decision will be seen in Turkey as well.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">While no case law can be taken as a precedent in national legal practice given that Turkey is a party to the European Patent Convention, in our opinion, the G 2/21 decision will help to establish a uniform approach to applications by constituting a direct precedent for Turkish patent law.&lt;/span>&lt;/p>&lt;p style="text-align: justify;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">The industry is very excited to see the written decision of the EPO Enlarged Board of Appeal, which will bring enlightenment to pending disputes in different types of jurisdictions.&lt;/span>&lt;/p>

The concept of plausibility – which has been the subject of numerous evaluations, especially by the European Patent Office (“EPO”) and frequently debated in academic circles in recent years – has not yet found a place within the scope of any legal regulation in Turkey.

“Plausibility” in Turkish Patent Law and Its Impact on Invalidation Proceedings

&lt;p style="box-sizing: border-box; margin: 0px 0px 10px; color: rgb(51, 51, 51); font-family: Arial, sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; font-size: 14px;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">Although there is no explicit provision in Turkish Law for the acceptance of the ongoing opposition or appeal proceedings before the European Patent Office (“EPO”) as a “pending issue” due to the principle of procedural economy, in practice, pending issue decisions may be given by the Civil Courts of Intellectual and Industrial Property Rights according to the particular circumstances. As Turkey is one of the signatory countries to the European Patent Convention, upon the issuance of a revocation decision regarding a European patent, the patent’s validation before TÜRKPATENT is also revoked. Therefore, the revocation decisions rendered by the EPO are binding for Turkey. In addition, based on the principle of procedural economy set out in Article 30 of the Code of Civil Procedure (“CCP”), which governs the proceedings, and taking into account that EPO decisions are also binding and the EPO may revoke the patent, it may be decided to postpone the proceedings before the national court to avoid unnecessary examination and workload. Since there is no specific provision in Turkish Law on the obligation to hold the EPO proceedings as a pending issue, the courts decide on whether to hold the EPO proceedings as a pending issue by considering the stage of the EPO proceedings, the type of the action, and the balance of interests among the parties.&lt;/span>&lt;/p>&lt;p style="box-sizing: border-box; margin: 0px 0px 10px; color: rgb(51, 51, 51); font-family: Arial, sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; font-size: 14px;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">However, considering the length of the EPO proceedings, it is necessary to consider the balance of interests among the parties in this process. In this context, especially considering that the patent protection period is limited to 20 years and there is no regulation extending this period in Turkish Law, if there is a request from the parties, it is essential to decide on provisional legal protection measures to prevent the damages that may arise due to the duration of the proceedings.&lt;/span>&lt;/p>&lt;p style="box-sizing: border-box; margin: 0px 0px 10px; color: rgb(51, 51, 51); font-family: Arial, sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; font-size: 14px;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">Indeed, the Regional Court of Appeal issued a precedent-setting decision emphasizing this importance. In an infringement and counter-invalidation action, the court of first instance decided to wait for the outcome of the EPO appeal process because the opposition process regarding the EPO patent has been concluded, but the appeal proceedings are still ongoing. The court rejected the preliminary injunction request filed by the patentee to compensate for the loss of rights during the waiting period of the EPO process because the EPO appeal and objection processes directly concern the infringement action, and the infringement action will affect the decision of the court. The patentee appealed this decision which was found unfair and unlawful on the grounds that the EPO appeal proceedings were concluded in favor of the patentee, the experts appointed by the court determined the patent infringement, the patent protection period is limited, and cannot be extended. There is no need to wait for this process to issue an injunction.&lt;/span>&lt;/p>&lt;p style="box-sizing: border-box; margin: 0px 0px 10px; color: rgb(51, 51, 51); font-family: Arial, sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; font-size: 14px;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">The District Court, deeming the plaintiff’s requests appropriate, ruled that&nbsp;&lt;em style="box-sizing: border-box;">“Although it is understood that the request for a preliminary injunction was rejected due to the pending EPO appeal proceedings,&lt;/em>&nbsp;&lt;em style="box-sizing: border-box;">holding the process a pending matter does not constitute an obstacle for the evaluation of the request for a preliminary injunction.”&lt;/em>&nbsp;Accordingly, the District Court, by noting that the request for a preliminary injunction should be evaluated while waiting for the conclusion of the EPO appeal proceedings to protect the balance of interests among the parties at this stage of the case, revoked the decision of the court of first instance that rejected the request for a preliminary injunction.&lt;/span>&lt;/p>&lt;p style="box-sizing: border-box; margin: 0px 0px 10px; color: rgb(51, 51, 51); font-family: Arial, sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; font-size: 14px;">&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 14px;">This decision has once again emphasized the purpose of the preliminary injunction to prevent the emergence of damages that occurred during the trial that are difficult or impossible to compensate for later on. Furthermore, this decision makes it clear that the requests for a preliminary injunction should be decided on a priority basis to protect the patent rights of patentees in an effective and timely manner; holding the EPO process a pending issue should not be an obstacle to the consideration of preliminary injunction requests. This decision sets an example for cases where the EPO opposition and appeal process is awaited to be finalized to prevent the parties from losing their rights for years in prolonged cases due to the pending issue.&lt;/span>&lt;/p>

Although there is no explicit provision in Turkish Law for the acceptance of the ongoing opposition or appeal proceedings before the European Patent Office as a “pending issue” due to the principle of procedural economy, in practice, pending issue decisions may be given by the Civil Courts of Intellectual and Industrial Property Rights according to the particular circumstances.

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